According to Sacnilk, O Romeo box office collection reached approximately ₹71–83 Crore India net in its lifetime theatrical run, with a worldwide gross of ₹108–123 Crore — making it a commercial underperformer against its reported ₹130 Crore budget, but a film that still crossed the ₹100 Crore worldwide milestone.
O Romeo: Quick Film & Box Office Stats Table
| Detail | Information |
|---|---|
| Film Title | O Romeo (also written O’Romeo) |
| Release Date | February 13, 2026 (Valentine’s Day Weekend) |
| Director | Vishal Bhardwaj |
| Producer | Sajid Nadiadwala (Nadiadwala Grandson Entertainment) |
| Cast | Shahid Kapoor, Triptii Dimri, Nana Patekar, Vikrant Massey, Disha Patani, Tamannaah Bhatia, Avinash Tiwary, Farida Jalal, Aruna Irani |
| Genre | Crime Thriller / Romantic Drama |
| Setting | 1990s Bombay (Mumbai) |
| Based On | Mafia Queens of Mumbai by Hussain Zaidi |
| Runtime | 2 hours 58 minutes |
| Rating | A (Adult) |
| Day 1 Collection (India Net) | ₹8.5 Cr (Sacnilk) / ₹9.01 Cr (some sources) |
| Opening Weekend (India) | ₹28.25–30.15 Crore |
| Week 1 Collection | ₹47.1 Crore |
| India Net Lifetime | ₹71.30–83.35 Crore |
| India Gross Lifetime | ₹83.50–98.35 Crore |
| Overseas Gross | ₹21.55–24.75 Crore |
| Worldwide Gross Lifetime | ₹108.25–123.1 Crore |
| Reported Budget | ₹130 Crore |
| Box Office Verdict | Flop / Average (underperformer) |
| Budget Recovery (India Net) | ~64% |
| Deficit (India Net) | ~₹46.65 Crore |
| Primary Data Source | Sacnilk.com |
What Is O Romeo? The Story Behind the Numbers
Before we get into the O Romeo box office collection Sacnilk data, let’s set the scene — because this film deserves the context.
O Romeo (also styled as O’Romeo) arrived in cinemas on February 13, 2026 — a date perfectly engineered for a crime romance. Valentine’s Day weekend. Director Vishal Bhardwaj at the helm. And his fourth reunion with Shahid Kapoor after Kaminey, Haider, and Rangoon.
That combination alone was enough to generate massive anticipation.
The film is set in 1990s Bombay — a city crackling with gang wars, raw ambition, and dangerous love. Shahid Kapoor plays Hussain Ustara, a gangster-informer whose preferred weapon is a razor (hence the name Ustara). Triptii Dimri plays Afsha, a woman burning for revenge. Their alliance to eliminate a powerful don named Jalal turns into something far more dangerous than either expected — a complex, fatal love story.
The film draws from Hussain Zaidi’s acclaimed book Mafia Queens of Mumbai, specifically the story of Sapna Didi (Ashraf Khan) and Hussain Ustara — real underworld figures whose story is equal parts brutal and romantic.
O Romeo Box Office Collection Sacnilk: Day-Wise Breakdown
The most detailed and widely followed day-wise data for the O Romeo box office collection Sacnilk tracking is what fans and trade analysts turn to every morning. Here’s the full day-wise India net collection:
Week 1 — Day-Wise Collection Table
| Day | Date | India Net Collection | % Change |
|---|---|---|---|
| Day 1 (1st Friday) | Feb 13, 2026 | ₹8.5 Crore | — |
| Day 2 (1st Saturday) | Feb 14, 2026 | ₹12.65 Crore | +48.82% |
| Day 3 (1st Sunday) | Feb 15, 2026 | ₹9 Crore | -28.85% |
| Day 4 (1st Monday) | Feb 16, 2026 | ₹4.85 Crore | -46.11% |
| Day 5 (1st Tuesday) | Feb 17, 2026 | ₹5.35 Crore | +10.31% |
| Day 6 (1st Wednesday) | Feb 18, 2026 | ₹3.65 Crore | -31.78% |
| Day 7 (1st Thursday) | Feb 19, 2026 | ₹3.1 Crore | -15.07% |
| Week 1 Total | ₹47.1 Crore | — |
Week 2 Highlights
| Day | India Net Collection | % Change |
|---|---|---|
| Day 8 (2nd Friday) | ₹2.15 Crore | -30.65% |
| Day 9 (2nd Saturday) | ₹3.4 Crore | +58.14% |
| Total by Day 9 | ₹52.65 Crore (est.) | — |
The O Romeo box office collection Sacnilk data shows a strong Valentine’s Day surge on Day 2 — up nearly 49% — followed by the typical weekday erosion that all non-blockbusters face in today’s theatrical landscape.
Opening Day Analysis: Was ₹8.5 Crore Good?
The O Romeo box office collection Sacnilk Day 1 figure of ₹8.5 Crore generated a mixed response from the trade.
On the positive side:
- It marked Shahid Kapoor’s biggest post-pandemic opening, comfortably surpassing Teri Baaton Mein Aisa Uljha Jiya (his 2024 release)
- It recorded the best opening day for any Vishal Bhardwaj–Shahid Kapoor collaboration — beating Haider, Kaminey, and Rangoon
- It claimed the second-highest opening day in 2026 so far, trailing only the massive Border 2
- On Valentine’s Day (Day 2), it reportedly earned ₹14.50 Crore — the fourth-highest Valentine’s Day collection ever for a Bollywood film, surpassing Love Aaj Kal (2020)
Valentine’s Day Effect: How Day 2 Saved the Opening Weekend
The O Romeo box office collection Sacnilk story really starts with Day 2 — because February 14 (Valentine’s Day) was always going to be a key performance indicator for this film.
The release date was chosen deliberately. A crime romance. Valentine’s weekend. Urban multiplex audience. It made sense on paper.
And it worked — at least initially.
Day 2 jumped an extraordinary +48.82% to ₹12.65 Crore. The Valentine’s Day crowd flooded urban multiplexes, particularly in metro cities where the film’s dark, stylish aesthetic resonated most strongly. The overseas circuit also contributed a solid ₹12 Crore in the early tracking period.
By the end of opening weekend, O Romeo had collected approximately ₹28.25–30.15 Crore — a decent but not spectacular figure for a film of this scale.
The problem? Sunday (Day 3) already showed a drop of -28.85%, signaling that the Valentine’s Day artificial boost was fading and everyday footfalls would be significantly lower.
O Romeo Box Office Collection Sacnilk: Week-Wise Summary
Let’s break down the lifetime O Romeo box office collection Sacnilk data by week for a clearer picture:
Week-Wise India Net Collection
| Period | India Net Collection | Notes |
|---|---|---|
| Week 1 | ₹47.1 Crore | Strong Valentine’s weekend boost |
| Week 2 | ~₹5.55 Crore (Days 8–9 partial) | Sharp weekday decline |
| Lifetime Total (India Net) | ₹71.30–83.35 Crore | Cross-verified from Sacnilk + trade |
| India Gross Lifetime | ₹83.50–98.35 Crore | Gross includes taxes |
| Overseas Gross | ₹21.55–24.75 Crore | Limited international traction |
| Worldwide Gross Lifetime | ₹108.25–123.1 Crore | Crossed ₹100 Cr worldwide |
The O Romeo box office collection Sacnilk worldwide figure of ₹108–123 Crore is notable — it crossed the symbolic ₹100 Crore worldwide barrier, which is still a milestone in Indian cinema. However, given the production and marketing budget of ₹130 Crore, it fell well short of what was needed for a profitable run.
Budget vs Collection: Hit or Flop Verdict
This is the section everyone wants to read. Let’s be completely transparent about it.
O Romeo: Financial Performance Table
| Financial Metric | Amount |
|---|---|
| Reported Production Budget | ₹130 Crore |
| India Net Collection (Lifetime) | ₹83.35 Crore |
| Budget Recovery (India Net) | 64.12% |
| Deficit (India Net) | ₹46.65 Crore |
| Deficit % | 35.88% |
| Worldwide Gross (Lifetime) | ₹123.1 Crore |
| Verdict (India Net basis) | Flop |
| Verdict (Worldwide, broader view) | Average / Underperformer |
According to Koimoi’s verdict parameters, O Romeo secured a losing verdict at the Indian box office based on India net figures. The film recovered approximately 64% of its reported ₹130 Crore budget from theatrical collections alone.
However, trade analysts have noted that:
- Strong OTT and satellite rights — thanks to the Vishal Bhardwaj brand, star power, and positive audience sentiment — may significantly improve the overall financial picture
- The film’s 2-hour 58-minute runtime and A (Adult) certificate limited its mass-market reach
- Intense content and urban-focused story reduced footfall from smaller cities and single-screen theatres
O Romeo Box Office Collection Sacnilk: Overseas Performance
The overseas numbers for O Romeo box office collection Sacnilk were modest.
International trade sources estimated the film would end its overseas run around $2.5 million, with the final gross settling at approximately ₹21.55–24.75 Crore. That overseas contribution, while not exceptional, helped push the worldwide total past the ₹100 Crore mark.
For context, the film performed below Kaminey (2009) on overseas but above Haider (2014) — two previous Bhardwaj–Kapoor collaborations that serve as natural reference points.
| Film | Vishal Bhardwaj–Shahid Collab | India Net (approx.) | OTT/Satellite Leg |
|---|---|---|---|
| Kaminey (2009) | Collab 1 | ~₹35 Cr | Strong catalogue value |
| Haider (2014) | Collab 2 | ~₹33 Cr | Award-winning legacy |
| Rangoon (2017) | Collab 3 | ~₹21 Cr | Underperformer |
| O Romeo (2026) | Collab 4 | ~₹83 Cr (lifetime) | Strong ancillary expected |
What Worked and What Didn’t: Expert Box Office Analysis
What Worked
1. The Valentine’s Day opening strategy. Releasing on February 13 with a crime-romance was a smart call. The ₹12.65 Crore Day 2 jump confirms it.
2. Urban multiplex stronghold. According to O Romeo box office collection Sacnilk occupancy data, the film consistently outperformed in metro cities — Mumbai, Delhi, Bengaluru, Hyderabad, Pune. Urban audiences responded strongly to Bhardwaj’s atmospheric 1990s Bombay setting.
3. Shahid Kapoor’s career-best opening. His Day 1 collection of ₹8.5–9 Crore was a personal record, showing his box office value is higher in 2026 than ever before.
4. Triptii Dimri’s growing appeal. Following Animal and other prominent roles, Dimri’s presence added youth and crossover appeal to the project.
5. Worldwide ₹100 Crore crossed. Not every Bollywood film crosses this milestone, and O Romeo did — which speaks to some level of genuine audience appreciation.
What Didn’t Work
1. The budget was too high. A ₹130 Crore budget for a 2-hour 58-minute A-rated crime thriller was always going to be a tough ask for theatrical recovery.
2. Steep weekday drops. The -46% drop on Day 4 (Monday) signaled that casual weekend audiences weren’t converted into repeat viewers or word-of-mouth advocates.
3. Limited mass appeal. The film’s dark, intense content — while critically praised — failed to attract Tier 2 and Tier 3 city audiences who drive Hindi films to blockbuster status.
4. Competition from mega-hits. The theatrical window in early 2026 was dominated by Border 2 and Dhurandhar — both of which hogged screens and audience attention. When Dhurandhar 2 released, it effectively ended O Romeo’s theatrical run.
OTT & Satellite: Can O Romeo Recover Its Investment?
The theatrical shortfall for O Romeo is significant — a deficit of approximately ₹46.65 Crore based on India net collections. But theatrical is rarely the whole story for a Vishal Bhardwaj film.
Trade analysts expect:
- OTT rights (likely a major streaming platform) could fetch ₹40–60 Crore based on star power and Bhardwaj’s reputation
- Satellite rights could add ₹15–25 Crore
- Music rights, digital downloads, and overseas streaming add further revenue
If these estimates hold, O Romeo could break even or come close to profitability in the overall accounting picture — even if its theatrical run was disappointing.
O Romeo Box Office Collection Sacnilk: Final Lifetime Numbers
Here is the comprehensive final summary of the O Romeo box office collection Sacnilk data as cross-verified from multiple trade sources:
Final Lifetime Box Office Summary
| Metric | Figure |
|---|---|
| Day 1 India Net | ₹8.5–9.01 Crore |
| Opening Weekend India | ₹28.25–30.15 Crore |
| Week 1 India Net | ₹47.1 Crore |
| India Net Lifetime | ₹71.30–83.35 Crore |
| India Gross Lifetime | ₹83.50–98.35 Crore |
| Overseas Gross | ₹21.55–24.75 Crore |
| Worldwide Gross Lifetime | ₹108.25–123.1 Crore |
| Reported Budget | ₹130 Crore |
| Budget Recovery (India Net) | ~64% |
| Box Office Verdict | Flop (India Net basis) / Average (broader) |
Conclusion: The Complete O Romeo Box Office Collection Sacnilk Story
O Romeo was a film that arrived with massive expectations — Shahid Kapoor, Vishal Bhardwaj, a Valentine’s Day release, and a cast packed with some of Bollywood’s most exciting names. The O Romeo box office collection Sacnilk data tells a story of a strong start, a Valentine’s Day boost, and then a gradual fade.
Day 1 delivered ₹8.5 Crore — Shahid’s personal career best post-pandemic. Day 2 jumped 49% to ₹12.65 Crore on Valentine’s Day. Week 1 closed at a solid ₹47.1 Crore. But the steep weekday drops and limited mass-market appeal meant the lifetime collection fell short of what a ₹130 Crore budget demanded.
Read More: Housefull 5 Box Office Collection Sacnilk
Frequently Asked Questions (FAQs)
Q1. What is the O Romeo box office collection as per Sacnilk?
According to O Romeo box office collection Sacnilk data, the film earned ₹8.5 Crore on Day 1, ₹12.65 Crore on Day 2 (Valentine’s Day), and closed Week 1 at ₹47.1 Crore. The lifetime India net collection stands at approximately ₹71.30–83.35 Crore, with a worldwide gross of ₹108–123 Crore.
Q2. Is O Romeo a hit or flop?
Based on O Romeo box office collection Sacnilk and cross-verified trade data, the film is classified as a Flop on India net basis, having recovered approximately 64% of its reported ₹130 Crore budget. Some analysts call it “Average” given strong OTT potential, but theatrically it underperformed expectations.
Q3. What was O Romeo’s opening day collection?
The O Romeo box office collection Sacnilk reports the Day 1 net collection at ₹8.5 Crore, while some other trade platforms report ₹9.01 Crore (using slightly different methodology). It was Shahid Kapoor’s biggest post-pandemic opening and the best Day 1 for any Vishal Bhardwaj–Shahid Kapoor film.
Q4. What is O Romeo’s budget and did it recover it?
O Romeo’s reported production and marketing budget is approximately ₹130 Crore. Against this, the India net lifetime collection of ~₹83 Crore represents roughly 64% budget recovery — a deficit of about ₹46.65 Crore theatrically. OTT and satellite deals are expected to partially bridge this gap.
Q5. What is O Romeo’s total worldwide box office collection?
As per the O Romeo box office collection Sacnilk and cross-verified sources, the worldwide gross lifetime collection is approximately ₹108.25–123.1 Crore — crossing the symbolic ₹100 Crore worldwide mark, with overseas contributing ₹21.55–24.75 Crore.
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